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Tag: Anti-Mormon

Hysterical Comedy about Missionary Repeatedly Raped Announced

Despite the reality of overwhelmingly peaceful Latter-day Saints, an odd cultural relic continues to portray members of the Church of Jesus Christ as violent. This is the main thesis in the recent series Under the Banner of Heaven.  Riding the wave, a new film Sinner v. Saint has just been announced, which has a Latter-day Saint main character and plenty of violence. In perhaps a welcome relief, this story doesn’t portray the Latter-day Saints as the perpetrators of violence, but rather as the victims. The story recounts the true story of a missionary who was kidnapped, tied up, and repeatedly raped before escaping. You might expect this story to be a somber account of the vestiges of anti-religious fervor, or the marginalization of Latter-day Saints in our popular imagination painting us as little more than pawns to be used. But who are we kidding?  The director, Tim Kirby has almost exclusively worked in comedies such as Fleabag, Veep, and Brockmire. Kirby describes the story as featuring “zany twists” and “quirky characters.” And ultimately he says the story is all about “obsessive first love.”

C.D. Cunningham May 10, 2022

The New Yorker Falls to Old Anti Tropes

Drawing your attention to this piece published yesterday in the New Yorker, “Our Obsession with Ancestry Has Some Twisted Roots.” The article has some interesting insights but ultimately tries to paint the Church of Jesus Christ’s influential role in genealogical work as somehow “twisted” as the title implies. The article has much larger targets than the Church, but it unfortunately demonstrates how casually some journalists subscribe to centuries-old tropes casting Latter-day Saints as somehow sinister.

C.D. Cunningham May 3, 2022

Hebrew Summer Camps, Utah Jazz, and a Helplessly Biased “Journalist”

Last week the Times of Israel asked, “Why do the Utah Jazz, in the Mormon capital, play ‘Hava Nagila’ after wins?” The answer is complicated. The song was first written in 1918, and the author soon moved to Cincinati where he played a role in planning Jewish summer camps, where the song quickly became associated with athletics. By the 1970s the song was being played at professional sporting events. Having been in the sports milieu for more than 50 years, it shouldn’t come as a surprise that so many sports team use the song, and that some of them use the song regularly as the Jazz do. The complicated history could be an occasion to celebrate our multi-cultural nation. But Emily Kaplan took it another way. Kaplan has tried to represent herself in the past as a neutral journalist interested in covering Latter-day Saints. Her first effort left much to be desired, marginalizing most Latter-day Saint voices in favor of her own narrative about a regressive church. When confronted by these critiques Kaplan grew very defensive, doubling down on her right to repurpose Latter-day Saint faith, culture, and history, to fit her narrative. So it might come as some surprise her response to the question Times of Israel proposed: Not only does Kaplan descend into outright insults “garments in a twist” she concludes that the Jazz’s use of the song is somehow part of a weakness of Latter-day Saints rather than related to the larger sports culture, where it’s inspiration clearly comes. Kaplan’s effort to shoehorn a criticism against Latter-day Saints complete with slurs in a place where it doesn’t belong, firmly establishes that she is not the neutral journalist about Latter-day Saints she attempted to portray herself as. I agree that something offensive and absurd has happened here, I just don’t think it has much to do with sports anthems.

C.D. Cunningham May 2, 2022