Are Surviving Mormonism’s stories typical? Comparative data show rare failures in an institution ahead on reform.
Why do ward choirs matter? They build unity, model male-female harmony, bridge communities, and teach belonging.
Dallin H. Oaks pairs law with love, showing humility, outreach, and a call to hold truth with tenderness.
As the last bulwark for the rule of law in our nation, I’ve been discouraged to see the attacks on the Supreme Court from all corners in light of the recently leaked decision in the Dobbs abortion case. We’ll likely be looking at this issue in greater depth in Public Square soon. But for now, I wanted to highlight just how pervasive anti-institutionalism has become across our country. We’re All Postmodernists Now John Stonestreet and G.S. Morris write for the Stream about how “We’re all Postmodernists Now.” They are focusing on a loss of trust primarily from the political right. Which is why the sudden return of this trend to the left is so noteworthy. Post-modernism is not a sustainable framework, but it is increasingly used as a temporary tool to pursue specific political or cultural goals. As Latter-day Saints, we agree with their statement that, “Truth is knowable and that it doesn’t depend on the source but a reality external to ourselves.” These trends are certainly worthy of continued concern.
Brigham Young University’s Museum of Art is opening up a new exhibit of Old Testament art. The exhibit, which focuses on the artist James Tissot, was planned to arrive this year to connect with Latter-day Saints’ study of the Old Testament in Sunday School. The stunning exhibit, titled Prophets, Priests, and Queens, can be viewed online or at BYU’s campus and can be used to supplement your own study or to help teach others. “I’m thrilled for visitors to get to know the Old Testament in a whole new way,” said the Museum’s Head of Education, Philipp Malzl. “At the same time, I hope visitors will recognize James Tissot for the complex, relentlessly hard-working, and deeply fascinating artist that he was—unapologetic in his commitment to a personal artistic vision.” Here are some of the paintings that will appear in the exhibit:
We often go directly from stimulus to reaction, but we can learn proactive approaches we can take to respond to temptation with a little bit of time and practice.
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