I chat with Greg Matsen of the Cwic show about Elder Holland’s BYU talk. We talk politics, CRT, religion and teaching policy. Fun to agree-and disagree-with him!
I chat with Greg Matsen of the Cwic show about Elder Holland’s BYU talk. We talk politics, CRT, religion and teaching policy. Fun to agree-and disagree-with him!
Are Surviving Mormonism’s stories typical? Comparative data show rare failures in an institution ahead on reform.
Why do ward choirs matter? They build unity, model male-female harmony, bridge communities, and teach belonging.
Dallin H. Oaks pairs law with love, showing humility, outreach, and a call to hold truth with tenderness.
The Family Proclamation stands firm.
I can’t wait to watch Dune: Part Two with my kids. Dune: Part Two is so good it lodges itself (and retroactively lifts its predecessor) into the pantheon of great epic movie trilogies. Depending on whether or not the third and final installment can stick the landing, I suspect it will be spoken of in the same breath as Lord of The Rings, The Dark Knight, and Star Wars. Like the first two of those trilogies, however, the film is not right for young children. Dune deals with serious themes such as drug use, religion, violence, colonialism, gender, and terrorism. It does so in a way that avoids the overly simplistic explanations appropriate for younger kids, but that is honest and thought-provoking. The film provides easy access to difficult conversations with teens while telling a thrilling story, and adults will leave feeling satisfied and contemplative about some of the film’s broader implications. The film picks up in the aftermath of the Harkonnen’s capture of Arrakis from House Atreides, and Paul Atreides (Timothée Chalamet) taking a place among the local Freman. For a part two, the film is remarkably well contained with a clear beginning, middle, and end. I wouldn’t recommend coming into this film without watching the first, but if you did, you would certainly enjoy the story on its own merits. For Latter-day Saints, the film’s most poignant themes revolve around the nature and abuse of power. Among the Fremen, Paul is believed to be the Mahdi, a Messianic figure they expect will return them to control of their lands. Paul is torn between seeking vengeance for the defeat of his family and moving on by integrating into the Fremen society. The faction of Fremen who view Paul as the Mahdi complicates this by holding out the opportunity for the power he needs to seek out revenge. The ethics of how Paul wields that potential power are among the most potent themes of the film, one sure to be further explored in the trilogy’s final installment. The director, Denis Villeneuve, is in top form here. His shots are each expertly crafted art pieces on their own merits. They lend weight to the themes he’s exploring, and he weaves them together like a composer weaving together the themes of a symphony. He even includes an extended black-and-white motif that just works. You don’t even question it. The script is well paced. It never lags like sometimes happened in the first installment, but also gives plenty of space for its beats to breathe. It’s never confusing, but also doesn’t feel the need to over explain to its audience. Just as in the first film, the sci-fi is absurd—dragonfly-like helicopters, giant worms, and magic yelling. But the imagination here makes them feel completely authentic. You can’t help but buy in. Perhaps the most fun new element—riding the sandworms—is so thoughtfully considered it feels obvious, quite a feet for a film that wants you to buy the reality of riding a worm. Chalamet leads a stellar cast here that has added Florence Pugh, Christopher Walken, and Austen Butler. Butler in particular inhabits the grotesque Harkonnens in a way that feels both terrifying and authentic. As for the returning cast, Javier Bardem, Rebecca Ferguson, and Stellan Skarsgård are standouts. A lot of weight is put on Zendaya in this film and she is substantially up to the task. Dune: Part Two is a great story wrapped in a world class sensory experience executed by artisans at the top of their craft. It is certainly not a film for kids, but I imagine many parents connecting to their teens over it, and I would heartily endorse it to them. Five out of five stars.
Senator Lee is guided by constitutional principles and a pragmatic approach to national issues and former President Trump. I trust his character and know that he sees the real threats from the radical left.
Summary – The detectives show up at the Lafferty home to interrogate Ma Lafferty about the whereabouts of Ron and Dan. She claims they are not there. Pyre takes Brother Brady to the basement to interrogate him about the School of the Prophets meetings there. Brady claims that he experienced a “burning of the bosom” during those meetings and questions why Pyre is so sure those revelations weren’t true. In a flashback, Ron travels to Oregon in search of “true Mormonism” from a man named John Bryant. He discovers Bryant’s commune practicing a “free love” version of polygamy and drinking wine, claiming it’s natural and spiritual and that the Word of Wisdom is an outdated part of the temperance movement. During a communal bath, Bryant explains that he’s received a revelation that he is the One Mighty and Strong and asks to baptize Ron. After he does, Ron is overcome with love and kisses Bryant. Ron returns home to find the School of the Prophets working hard to print pamphlets of warning to the Church based on Prophet Onias’s revelations. They demand that polygamy and the priesthood ban for black members be restored. Onias tells Ron he believes that the six Lafferty brothers are chosen to help him in his work. He takes Ron up the mountain to his Dream Mine, where he believes a great treasure is buried under a capstone. Onias tells Ron that he believes Ron is the One Mighty and Strong and that Diana will come back to him when she sees how blessed he is in this work. Later in the episode, Ron writes a revelation to Diana and reads it to the School of the Prophets. They vote on its authenticity and approve it as true, declaring Ron as the one mighty and strong. Meanwhile, in the present, Taba finds a recently sawed-off shotgun and takes this as evidence that Ron and Dan are nearby. When the detectives confront Ma Lafferty, she calls Taba a dark-skinned Lamanite and claims that the only law she’s subject to is the law of God. When they press her, she blames everything on two men who were with her sons, Chip and Ricky, who had long hair and smelled like skunk. In flashback, Allen comes home to Brenda who is distressed about baby Erica’s fever, but Allen refuses to let her go to a doctor until he can figure out whether his brothers are right about not trusting modern medicine. They get into an argument during which he hits her. Brenda stands up and walks out. A little while later, Brenda’s sister comes to take her to the doctor while Brenda’s dad, Bishop Wright, stays with Allen and grills him about being too extreme in his religious beliefs. Meanwhile, Brenda tells her sister she wants to leave Allen because “this is how it started with Diana,” but her sister pressures her to stay or to let her bishop make the decision for her. At the Pyre’s home, Pyre visits with Bishop Wright and Brenda as he tries to reassure them. The Wrights wonder if Pyre will be swayed by the “power” of the Lafferty name and question what he’ll do if the case causes trouble for people “above.” Pyre swears loyalty to Brenda alone and says that the Laffertys have no hold on him. Brenda’s sister gives Pyre a pile of her sister’s letters, hoping to piece together the events leading up to the murder. After the Wrights leave, Pyre gives his mother a bath. Grandma Pyre admits that she pinched Pyre’s wife and claims “the devil made me do it.” Pyre uses a “fake” priesthood blessing to calm her and get her to rinse her hair. In flashbacks, Diana and Brenda’s letter got her a meeting with a member of the Seventy. The men offer the solution that “true revelation causes an increase in love and appreciation for the brethren.” Allen brings up the Mountain Meadows Massacre as a counterargument, saying that Brigham Young commanded it and it couldn’t have been inspired. The seventies try to push the issue aside, but Allen accuses them of inconsistency and storms out. Brenda asks the seventies to approve a divorce, but instead, they give Brenda a blessing, calling her to bring the Laffertys back into the fold. Brenda takes up this cause very literally, buying forbidden store-bought goods for her sisters-in-law and sending missionaries to talk with them. As a result of this meddling, Matilda arrives on Brenda’s doorstep with a warning: “A wife who alienates her husband from her children risks her life.” Because of this threat, Bishop Low and his wife smuggle Diana and her children out of town, though Brenda insists on staying to carry out her calling. Pyre asks Allen about the likelihood that his brothers will leave Diana alone, but this conversation devolves into a discussion of Pyre’s faith crisis. Allen says he “tried to defeat the Church in my mind and see what was left.” He tells Pyre about a red book in his house that tells “a truer story of our people.” Pyre takes Allen’s book home and is reading it in the car and sobbing when his wife discovers him. He admits that he’s struggling, and she asks him to pray with her. He tries but he can’t. She tells him that she refuses to struggle through this with him and demands that he bear his testimony in church to strengthen their children’s faith. Church History – Allen brings up the Mountain Meadows Massacre as the ultimate example of how revelation is inherently unsafe and unclear. He claims that Brigham Young ordered the massacre. The historical record about whether this is the case is complex, and beyond my scope of expertise. However, I do know that the Church was much more hesitant to comment about the massacre in the 80s, whereas now it has published an essay about the topic as well as supported the publication of a thorough book
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