Elder Bednar at National Press Club + Today’s Digest

A contemporary set movie, “Valiant One” follows a US military unit in South Korea when they are blown off course and crash across the border in North Korea with a civilian tech specialist aboard. The film is putatively about the growth of Brock, who is thrust into commanding the unit after the crash. As the opening title cards tell us, “Heroes’ Aren’t Born. They Are Made.” And the  We see him as he changes from struggling with his major decisions to beginning to make one. In one well-structured scene, the farmer catches them hiding in the barn. After a standoff, Brock approaches the farmer and de-escalates the situation.  We see him and his soldiers as they recognize the humanity of their enemies, and make tough decisions. Ultimately, though, the areas he’s growing in don’t have a deep resonance because they aren’t Christ-like attributes. And the broader moral universe of the film is nihilist. It’s taut and well-structured and manages to tell a complete story in less than 80 minutes. It clearly is influenced by the years of experience director Steve Barnett has spent on the studio side of things. But it’s also clear that he lacks the artistic vision that elevates those essential storytelling blocks into an actual story. In some ways, the film reminds me of a paint-by-number before it’s been completed. Everything is in the right place, but it’s clearly not art or even particularly interesting to look at yet.  The characters fall flat, particularly the two leads. Which keeps the story beats from ever coming together into a coherent whole. They have the kind of tragic backstories you’d expect, but they feel disconnected from the actions and motivations we actually see them enact. Eventually, even the plot feels like it’s doing circles, revisiting the same moral dilemmas and crises, without enough new character growth to warrant it. I can imagine there’s an audience for this movie. For those who love war movies, this one is clear and comprehensible. And if you are automatically invested in the uniforms, you have clear stakes that give the film energy and a through line that is enhanced by an aggressive hip-hop score. The film will probably most resonate with those with a similar backstory as Brock, who can see themselves as him. I imagine watching his growth would make this movie particularly meaningful to them.  The film is R-rated. It is not particularly gory, but there is certainly war like violence, and we see many deaths, including executions. And the screenwriter went to lengths to capture the authentic pitter-patter of the way soldiers speak. But this means lots and lots of over-the-top pointless never-ending crassness and profanity. The larger moral of the film is pretty bland, and so by the end I felt degraded rather than lifted up. War movies can certainly uplift when they tell the right stories. This is not one of them. I wouldn’t watch it with my children, even when they were grown. If someone did, I would suggest asking them questions about the ethics of survival and the nature of leadership.  One and a half out of five stars. Valiant One releases in the theaters January 31, 2025.