LDS in the Media

A Clarion Call to Truth: Faith, Journalism, and the Public Square in 2025

What does honest coverage of Latter-day Saints require? Curiosity, primary sources, and dignity, not caricature.

Download Print-Friendly Version

In an era marked by rapid information flow, deep polarization, and an often shallow engagement with religion in the media, the year 2025 finds members of The Church of Jesus Christ of Latter-day Saints at a crossroads of faith and public discourse. Members of the Church believe truths that are not only foundational to our eternal salvation but also deeply relevant to how we interact with our neighbors and society at large.

Yet as digital platforms expand and multiply, the representation of our faith in the public square often lags behind reality, too frequently reduced to caricatures or superficial narratives. In this context, publications like Public Square Magazine—which expressly seek “to convene, encourage, and support voices of conscience and conviction”—play an important role in elevating discourse and correcting widespread misunderstandings about the Church.  

The Challenge to Journalism

Too much of today’s journalism treats religion as a fringe footnote—a subject for stereotype rather than serious engagement, especially when covering faiths that fall outside the mainstream Christian tradition. In 2025, this problem persists. Many news outlets repeat sensational claims about Latter-day Saint culture or internal governance without providing historical context, doctrinal clarity, or the lived reality of millions of believing Saints.

News outlets repeat sensational claims about Latter-day Saint culture.

Consider how some reports handle sensitive topics. When stories about abuse allegations arise—as they have for many large institutions—the nuance of both the Church’s official responses and statistical realities often gets buried beneath headlines designed to attract clicks rather than illuminate truth. Public Square Magazine has responded to this gap by providing research and context that many outlets omit, such as detailed comparisons and thoughtful analysis of how the Church has handled past incidents, advocating for accountability while also resisting the reduction of complex issues to simplistic narratives.  

This is not an occasional problem—it’s a pattern with depictions of religion in the media. Headlines about Latter-day Saint temples, doctrinal practice, or cultural norms frequently prioritize spectacle over substance. This journalism feeds misunderstanding. It substitutes caricature for context and leaves readers—both Latter-day Saints and those not as familiar—with a distorted sense of who we are. We must demand better: journalism that illuminates rather than obscures.

Interest in Latter-day Saints in Streaming and Public Culture

Another notable phenomenon of 2025 is the significant interest among Latter-day Saints in streaming media and cultural content that bears on faith and identity. From documentaries exploring religious history to series that touch on moral complexity, many Latter-day Saints—especially younger generations—are engaging with visual media as a primary window on the world.

This trend presents both opportunity and risk. On one hand, engaging with culture through streaming services allows members to see diverse perspectives and draw connections between gospel principles and contemporary issues. On the other hand, without discernment, it’s easy to absorb narratives that are sensational, misleading, or simply indifferent to spiritual realities.

As Latter-day Saints, our engagement should be thoughtful. We should seek media that challenge us to grow in compassion, strengthen our testimony of Christ, and equip us to serve others rather than fostering cynicism or division. In this, we can borrow from the aims of Public Square Magazine: to promote dialogue that is “persuasive, honest, and research-based,” and not merely provocative.  

Toward a Better Public Conversation

What does better journalism look like? It begins with curiosity rather than assumption. It respects believers as whole persons, not caricatures. It treats doctrine with attention to official sources and authentic voices, not secondhand interpretation. And it acknowledges the complexity of human experience, including the sincere devotion and enduring faith of millions of Latter-day Saints worldwide.

It begins with curiosity.

We can build a public square that welcomes deep inquiry and robust exchange—one where religious literacy is valued, not feared. This means encouraging outlets to consult primary doctrine, to speak with thoughtful members and leaders, and to avoid lazy narratives that reinforce stereotypes.

Faith Calls Us to Engagement

Ultimately, our faith doesn’t retreat from the world—it engages it with hope. In a world hungry for meaning, the gospel of Jesus Christ offers answers that resonate across boundaries: forgiveness, purpose, community, and eternal perspective.

For those who are members of The Church of Jesus Christ, our calling is twofold:

  1. Live with integrity. Let our actions reflect our beliefs, showing Christlike love in every setting.
  2. Speak with clarity and charity. When we see incorrect or incomplete information about our faith, we should correct it gently but confidently, rooted in truth and humility.

In doing so, we contribute to a public square where faith is not marginalized but understood, where journalism does not sacrifice accuracy for sensationalism, and where every reader—Latter-day Saint or not—can walk away with a clearer picture of one of the most dynamic religious movements in the world.

In 2026 and beyond, let us strive for a public discourse that honors both truth and dignity—for in Christ’s gospel, both are inseparable.

 

About the author

On Key

You Might Also Like

The Room Next Door Review

“The Room Next Door” is the latest example of arthouse social engineering.  The film is about a troubled woman, Martha, who in the midst of cancer treatments decides to commit suicide. If this bothers you, the film implies, it is because there is something wrong with you. This is all the more troubling, because the film, in many ways, is beautiful. It is directed by Pedro Almodóvar, one of the most acclaimed living film directors, in his first full-length film in English. And you can’t help but be taken by the beauty of it all. The film is suffused with the soft colors of the woods. Despite being an entire screenplay full of little except two friends talking, the camera work keeps the film alive and moving. And Julianne Moore and Tilda Swinton who play Ingrid and Martha once again give impeccable, engaging performances, that you can’t help but admire.  But all the beauty in this film is in service of a story that is decidedly ugly—but not self-awarely so. Our two main characters are old friends who met as young writers. Ingrid has published a best seller recently, where she writes about how she can’t accept death. On her publicity tour, she learns that Martha is in the hospital with cancer. She goes to visit her and reignite their friendship. We learn through the conversations that these characters aren’t bad people, necessarily, they just struggle to see a world outside of their own desires and consciousness. They have repeatedly avoided building relationships or having families. Martha does have a daughter. But she chased her father away, then lied to her about who he was her whole life, and then proceeded to be an absent mother so she could chase the romanticism of being a war correspondent.  Now that she is sick and dying, she notices that she has no one in her life. The movie comments on this like an unusual quirk, rather than the inevitable result of a life of bad decisions. We learn early on that cancer treatment can be a roller coaster with euphoric peaks, and miserable nadirs. During one such rut, Martha purchases a suicide pill, and decides she will kill herself. She reaches out to Ingrid and asks her to come on vacation with her, so that she will have someone in the house when she does it.  Ingrid agrees. And although she early on expresses some discomfort, she quickly respects Martha’s wishes to largely pretend nothing is happening. They have a lovely vacation in upstate New York watching old movies and reading books. While they are there, Ingrid reconnects with Damien (John Turturo) an ex-boyfriend of both hers and Martha’s. He is horrified at the state of the world, and seems to only live for sex (or to constantly talk about sex.) Damien is not a sympathetic character, and perhaps the audience is supposed to read that his unpleasant and helpless politics are akin to Martha’s helpless approach to life. If so the audience hardly has time to ponder it under a heavy heaping of affirmations about the power to choose, and the dignity to die.  Eventually, Martha does exactly what she promised to do. There is a brief police investigation where the officer (Alessandro Nivola) expresses concern that Ingrid would have knowingly not gotten help for her friend. A lawyer comes and helpfully tells the audience we can ignore that concern because he is a religious fanatic. This is the kind of movie that alludes to James Joyce not just once but three times. It is so pleased with just how artsy it is. And for a film with a message like “life isn’t worth fighting for,” the best comfort is that it’s so artsy not a lot of people will watch it.  The only people I would recommend watching this film is for those studying how society has devalued human life, and how good tools can be misused to harm people. The film is rated PG-13. It includes several normalized same-sex relationships, and some joking about polyamorous relationships. But obviously the biggest warning is the way it normalizes and glamorizes suicide. If you watch it with older teenagers, I would focus on questions about the choice that Martha made, and how family and relationships could have helped her make better choices. I might ask about how Ingrid could have been a better or more caring friend. One out of five stars. “The Room Next Door” will be released in theaters nationwide January 17, 2025.

Subscribe To Our Weekly Newsletter

Stay up to date on the intersection of faith in the public square.

You have Successfully Subscribed!

Pin It on Pinterest

Share This