cdcunningham_A_painting_in_the_style_of_Frank_Tenney_Johnson_of_b9141e25-771e-4b89-ad7d-f3cd662fc65e

The Synod on Synodality: One Church Divided by a Common Language

Other observers may be perplexed at all the Catholic clamor over a convening taking place this week. Let me provide some context from a Catholic lay perspective.
This is Part I in a two part series.

The 1887 short story “The Canterville Ghost” described one of the characters as follows: “Indeed, in many respects, she was quite English, and was an excellent example of the fact that we have really everything in common with America nowadays, except, of course, language.”

It was an aphorism typical of the author, Oscar Wilde, a man of brilliant wit, penetrating insight, and consummate skill with language. His dissolute lifestyle was a scandal, yet he was a deathbed convert to Catholicism.

The ongoing Synod on Synodality commenced in 2021 and is to culminate with two sessions in Rome, first beginning this recent October 4 for the better part of a month and then one year thereafter. Discussion of the Synod has generated concern, dismay, and even anger among some Catholics who consider themselves orthodox but tend to be labeled “conservative.” It’s also elicited enthusiasm and anticipation among others who also consider themselves devoted but tend to be labeled “progressive” and push for substantive change. 

Despite its apparent divisiveness, Pope Francis says that this synod is a major aspect of his papacy. As a Catholic layman seeking to understand the significance of the Synod and what it portends for our faith community, I have been struck by how we Catholics of many different countries, languages, cultures, traditions, and spiritual and political perspectives, read or speak what are seemingly the same words and behaviors and understand and interpret them so differently.

Churchill described an aspect of the problem when recalling an incident during the Second World War. The British mentioned a problem the Americans had already wanted to discuss by remarking that they ought to “table it.” This led to a long and acrimonious argument with the Americans until everyone realized that to the British, the phrase meant to bring something to the table, while to the Americans, it meant to take something off the table and set it aside.

In reading about the Synod on Synodality, that type of confusion seems simple by comparison. Words, as Oliver Wendell Holmes said, are “the skin of a living thought” and thus reflect the experiences and presuppositions that inform their users. This is a special challenge for members of any worldwide church. The explanations for the Synod use lots of words about collaboration, shared discernment, and mutual understanding that can resonate differently with each reader.

The Holy Spirit will help us transcend semantics.

Those of us who live in western democracies give meaning to words based upon a political vision involving popular self-determination, yet the Catholic Church is hierarchical and uses the same words with a meaning that is arguably reflective of a much different model. Our faith is led by a Pope who was formed by his experiences in a Latin American country wracked by political violence and instability and who has a deep attachment to his training as a Jesuit, both of which animate the meaning of his vocabulary. This history is quite different from the American tradition, which has seen comparative political stability, and where Jesuitical thinking is quite novel. In addition, we have a church bureaucracy that is intended to facilitate, mediate, and convey to the public the synodal process, but that has its own, rather arcane, mode of expression. Finally, we have a media, both secular and religious, reporting on the Synod and the Pope through its characteristic stock in trade to use language that presents to its audience its own sense of meaning.

Dealing with the complexity of language is nothing new, of course, in our increasingly conflicted society today. This may be especially true for those who are seeking the wisdom of God that is not of the world. It is comforting (at least to me!) to be reminded that in scripture, even the holiest of people were at times confused, fearful, and even disobedient because they relied on their cultural or experiential understanding in trying to interpret the language of God’s plans for them. 

Moses tried to beg off leading the people out of Egypt because he couldn’t speak well; Martha was told that she—unlike her sister—misjudged what was most important. And of particular relevance to this discussion, Peter, just after he was told that he would be the rock upon which the Church would be founded—and hence, in our view, became the first Pope—was chastised by Jesus as being a satanic stumbling block. The message in all cases was the same: Stop thinking as the world has taught you to think (be that via your culture, your institutions, your personal experience, or your politics) and strive to think instead as God thinks.

Accordingly, in trying to understand the Synod on Synodality, humility strikes me as the key. as the Synod on Synodality gets underway, it will be vital for all participants to recognize the limitations of their own cultural and linguistic perspectives. Catholic teaching is clear that our Church should be confident that the Holy Spirit will help us transcend semantics if we open our hearts and minds to the truths of our faith.

In this Part I of the analysis, we have noted how language impacts our understanding, especially when interpreting complex issues involving faith and religion. In Part II, we will delve more deeply into how language has played into the understandings that have resulted in such different perspectives on what the Synod’s impact will be on the Catholic Church. One must seek Holy Wisdom, that unity of reason and faith that we can enlist to help us think as God thinks and that enables us to see and engage with the living thoughts beneath the mere skin of the language being used.

About the author

Carl Herstein

Carl Herstein retired as a partner from a large, Midwestern law firm. He is a past recipient of the St. Thomas More Award from the Catholic Lawyers Guild of Lansing, Michigan. He has a J.D. from Yale Law School.
On Key

You Might Also Like

A reflection on violence in film

Gladiator II is a serviceable historical epic. If you loved Gladiator, you’ll like Gladiator II. Gladiator II opens as Rome is about to siege the “last free city in Africa.” Our nameless hero loses valiantly with his wife dying in the battle, and he is brought to be a slave in Rome. But if our hero can perform well enough as a gladiator, he can buy his own freedom. And with that, we’re off. The beats of this film will be familiar, with a massive twist only halfway through that changes the stakes for everyone. Our hero is really the son of our hero from the last movie! Which means he has a legitimate claim to the throne of Rome. The movie tries to follow three different stories. Our hero (Paul Mescal) is trying to win his freedom and avenge his wife’s death. Acacius (Pedro Pascal), the general of the armies, wants respite and time with his wife; he also wants to lead a coup against the emperors. Macrinus (Denzel Washington) wants to work his way up in Roman power through political scheming. And then on top of all of that, we are told that our hero must deal with his father’s legacy and discover who he truly is.  It’s a lot, even for an epic, and the screenplay is not nearly tight enough to keep all the storylines coherent and moving. We are led to believe that Macrinus is successful in maneuvering to the top of Roman society because of his exceptional political skill, and Denzel Washington’s delicious performance makes that believable, but all we actually see him do is win a bet and carry out an assassination. Pedro Pascal’s excellent work as the weary general does some of the work in helping reconcile the contradictions in his character, but a look on his face here or there has to carry a lot that a simple conversation could have fleshed out.  Perhaps the reason the script doesn’t have time to breathe is also its biggest contradiction. There is something grotesque about watching audiences cheer on the brutal violence taking place in the film. And yet, the entire film is centered on having us, the audience, watch one set piece of over-the-top violence after another. We don’t get to see Macrinus manipulate the Roman senate because, instead, we need to see our hero fighting with CGI rhinos or CGI sharks. There is a place for violence in a moral movie. It can be helpful to attune our senses to recoil from violence or recognize the rare places it is justified. But the violence on display in Gladiator II is so relentless and gratuitous that it dulls the senses instead.  This is not to diminish the craftsmanship that has been used to bring this world and its many battle scenes to light. Rome feels broad and alive in true epic fashion, and it’s easy to get swept away into its world—with the exception of a few uncharacteristic pieces of clunky CGI work. The opening battle sequence is perhaps the best ever put to screen.  The best part of Gladiator II was its opening. A 1950s style opening credits are shown over a lavish dreamy animated retelling of the first film. Everything about it screams that something epic is about to be shown. But throughout the movie I stayed fixated on what it could have been. What if it had been more focused on the characters I cared about? What if it didn’t try to connect so much plot to the previous film and let this story stand on its own merits? What if they had expanded it to a TV miniseries so that its many plot points had space to breathe? In the end, despite some good acting and a beautiful setting, the movie just left so much to be wanted.  Gladiator II is R-rated. It is not appropriate for children or, in my estimation, most adults. At its core, this film has a moral message: life is hard, but it’s worth fighting for. But the way it’s presented on screen does more to drag down the spirit than to lift it up. Two and a half out of five stars. Gladiator II opens nationwide November 22, 2024.

The Gospel of Facebook

Our culture claims that we’re un-Christlike if we teach moral standards. God commands us to love; does he command us to lay low?

Subscribe To Our Weekly Newsletter

Stay up to date on the intersection of faith in the public square.

You have Successfully Subscribed!