pexels-photo-1550337

The Democratization of the Saints

For most in the world, the word “saint” signals something unreachable by mere humans. That’s not how Latter-day Saints see it, though.

Who is worthy of being called a “saint”? 

My ears perked up recently when, halfway through the film A Beautiful Day in the Neighborhood, Lloyd Vogel (an investigative journalist profiling Fred Rogers) asks Fred’s wife, Joanne, “So, how does it feel to be married to a living saint?” 

“You know, I’m not fond of that term,” Joanne says. “If you think of him as a saint, then his way of being is unattainable. You know, he works at it all the time. It’s a practice. He’s not a perfect person. He has a temper. He chooses how he responds to that anger.”

“That must take a lot of effort,” Lloyd says.

“Well, yeah, he—he does things every day that help to ground him,” Joanne says. “He reads scripture, swims laps, prays for people by name. Writes letters, hundreds of them. He’s been doing that since I met him.” (The real-life Joanne has clarified that her working idea of a saint was “somebody who is good without working at all. [Fred] worked hard on his ministry.”)

As a living saint myself—a Latter-day Saint—I have rarely thought about how presumptuous it might be to call myself a Saint. Surely nobody who knows me, when my name comes to mind, thinks, “Wow, that Sammy—he’s such a saint!” No, that descriptor is reserved for many others I know—my wife, my mother, my mother-in-law, Mother Teresa, Fred Rogers, and Russian babushki, among others. A saint is holy because he is good. But I know too much of my weakness and sin to be comfortable calling myself “a Saint” in that sense. 

Even so, this is a time when Latter-day Saints should think more deeply about how carrying the label “Saint” should make them think, feel, and behave. Our church first started using “saints” in its title in 1834, when it adopted a resolution to change its name from The Church of Christ to the Church of the Latter Day Saints. This was done to distinguish it from other Christian denominations in 19th-century America. In an 1838 revelation to Joseph Smith, the Lord Jesus Christ gave the church the name The Church of Jesus Christ of Latter Day Saints (a name it has since kept, with variations in spelling and hyphenation). In August 2018, President Russell M. Nelson initiated a new and intense wave of focus on using this full name. This includes referring correctly to members of the Church. We are Latter-day Saints, not LDS or Mormons. Even the Church’s new four-volume narrative history is called, unapologetically, Saints.

We can become saints, but it involves heavy lifting and unending effort to school one’s body and sanctify one’s mind and heart.

Three decades ago, the then-Elder Nelson gave his first landmark address on the importance of the full name of the church. He lamented that “the term saint is still not well understood. Some mistakenly think that it implies beatification or perfection. Not so!” Of course, this mainly refers to the Roman Catholic Church, a faith I love and admire in many ways. (I am a devoted reader of First Things, the writings of Pope Francis, and of some other Catholic leaders.) Their doctrine stipulates that a person becomes a saint only posthumously. This makes some logical sense because those sainted souls proved by their life’s work that they are worthy of the title. “Saint,” after all, comes from the Latin sanctus, which means “holy” or “sacred.” This saintly declaration is made by the Pope himself, “on the basis … that the person lived a life of heroic virtue or remained faithful to God through martyrdom” (United States Catholic Catechism for Adults). 

I love studying the writings of the saints revered by Christians of all stripes—St. Augustine of Hippo, St. Athanasius of Alexandria, St. Teresa of Calcutta, the 10 martyrs featured above the Great West Door of Westminster Abbey, among others. But are saintly lives only the business of a select few? What about the rest of us?

In Paul’s letters to Timothy, Philemon, the Corinthians, the Romans, the Ephesians, the Philippians, the Colossians, the Thessalonians, and the Hebrews, as well as in the Gospel of Matthew, the Acts of the Apostles, the letter from Jude, and John’s Revelation, the followers of Jesus Christ are called “saints.” In his letters to the churches in Rome and Corinth, Paul teaches that being a saint is more attainable than the label might make us think. He says followers of the Messiah are “called to be saints” (Romans 1:7, 1 Corinthians 1:2, emphasis added). This implies something of the “not quite there yet” in the life of a follower of Jesus. So long as we are in this world, we are always on the way but never arriving. If we embark on the saintly life knowing this, we will be alright. 

Martin Luther, in his commentary on Galatians, says “true saints” can be anyone—“the ministers of the Word, the magistrates of commonweals, parents, children, masters, servants”—who “first and before all things” assure “themselves that Christ is their wisdom, righteousness, sanctification, and redemption.” Like Paul, Luther clarifies that these are people trying their best to carry out God’s will and who “repress the lusts and desires thereof by the Spirit.” 

Brigham Young, who led the Latter-day Saints in a massive western migration to the Great Basin, said in 1869 that “it is not proven that people are the saints of God because they live in these valleys. If we want to prove to God or men that we are saints, then we must live for God and none else.” As then-Elder Nelson further clarified in 1990, “a saint is a believer in Christ and knows of His perfect love. The giving saint shares in a true spirit of that love, and the receiving saint accepts in a true spirit of gratitude. A saint serves others, knowing that the more one serves, the greater the opportunity for the Spirit to sanctify and purify.”

So, Joanne Rogers’ movie character was half right. We can become saints, but it involves heavy lifting and unending effort to school one’s body and sanctify one’s mind and heart. As she said of Mr. Rogers, once again, “He works at it all the time. It’s a practice. He’s not a perfect person. He has a temper. He does things every day that help to ground him.”

Rather than setting in front of us a standard impossible to attain in this life, the move to include “Saints” in the name of the Church in 1834 and 1838 can be interpreted as a generous invitation from a loving God to become something better than we are by living the life of a saint now. Call it the democratization of the saints. If you become a part of this covenant community—one that is filling the whole world—then you are, even with your many imperfections, a Saint. A Latter-day Saint.

About the author

Samuel B. Hislop

Samuel B. Hislop is a writer in Utah.
On Key

You Might Also Like

Close up of Woman's Upward Facing Palms | Moderate, But Not Lukewarm | Public Square Magazine | The Virtue of the Lukewarm | Lukewarm Christianity

Moderate, But Not Lukewarm

There is wisdom in holding space for competing important priorities, while seeking contextual cues in difficult matters to discern the right course. Let’s not confuse that with being “lukewarm.”

Sean Astin & Ke Huy Quan Reunite, But “Love Hurts” Doesn’t Deliver

My son asked me what “Love Hurts” was about. I told him it was about how we can’t just move on from our past. “Oh,” he looked concerned, “That’s a bad movie.” Unlike my son concluded, “Love Hurts” isn’t a bad movie, but it’s not a Christian one. The theme repeated over and over is that we cannot move on from the past until we conquer it. Our main character desperately works for redemption, but the film keeps telling him he can’t have it. His aw-shucks charm in “Everything Everywhere All at Once,” combined with the nostalgia for his 80s career has combined to make Ke Huy Quan Hollywood’s “it” man of the moment. And “Love Hurts” is the star vehicle to determine if he can top the marquee of a nationwide opening.  It’s a bit of a mixed bag. The film is set over a Valentine’s Day weekend. Quan, plays Marvin Gable the regional realtor of the year. His upbeat attitude endears him to his clients and coworkers alike. Marvin used to be the enforcer for the local mob run by his brother. His brother ordered him to take out Rose, his unrequited crush, for stealing. But Marvin let her live and started a new life. Rose has decided to come back, delivering Valentine’s to the major players, dragging Marvin back into the life he tried to leave behind. The film, which runs a brisk 85 minutes, is mostly a series of choreographed fight scenes interspersed with just enough exposition to explain the plot and three love stories. So it’s worth mentioning that the fight choreography is very focused on creating tableaus showing off the imagination of the designer. And this does work to create some eye-popping visuals.  But I’m not sure if the trade-off to get those moments was worth it. To get to the visual moments it wants to show off the fights vacillate wildly between grounded brutal realism and physics so implausible it would make the Avengers blush, with no real explanation or meaning between the two. The pacing of the fights was often awkward and halting. And I never felt any stakes in the scenes because I never knew how much risk my protagonists were in.  The film uses a series of intermittent voice-overs from both Marvin and Rose to explain their attraction to one another. But the chemistry between the two never takes off. And while the film explains why Rose would be attracted to Marvin’s kindness and power, we never figure out why Marvin was willing to throw his entire life away twice at an outside chance with a woman who isn’t that interested in him.  The two grunts in the film played by André Eriksen and Marshawn Lynch, spend the time between their fights figuring out how to write a text to repair one of their marriages. The most amusing romance is between Raven, who breaks into Marvin’s office to fight him, and Ashley, the real estate assistant who finds his unconscious body and falls in love with him while reading his poetry in his notebook before he wakes up.  The movie is surprisingly funny. It leans into the cliches of the Asian mob film, and then juxtaposes it next to a bunch of odd things: suburban model homes, an all-American black belt, a poet, a pull-over sweater. It’s mostly just the one joke, but it’s enough for the film’s brisk run. My favorite part of the film was Sean Astin. Astin plays Marvin’s boss, and older brother figure who gave him the job when he escaped the mob. Astin and Quan famously shared the screen in “Goonies.” During the scene early in the film when Astin gives Quan the real estate award, you could feel the dialogue transcend the characters. It felt like Astin was so proud of the success of his old friend Quan, and this was his moment to tell him.  Quan, for his part, does everything right but doesn’t take the material to another level.  If you love fight choreography, there will certainly be some interesting things to look at here. And if you want a classic action romp with a few laughs and a Valentine’s twist this might be the film for you. But for most people, I don’t think it all comes together. It’s too gory without meaning. And while the movie seems to think it has a happy ending, I can’t imagine that most of the people watching will agree. It’s got R-rated content with no compensating uplift to make it worth the experience. Two out of five stars. “Love Hurts” opens nationwide on February 7, 2025.

Francisco Jose de Goya- The Sleep Of Reason Produces Monsters | Knowing Less Than We Think | Public Square Magazine | Effects From The Lack Of Political Knowledge In America

Knowing Less Than We Think

In discussing civic engagement and political participation, it’s often taken for granted that Americans have a basic knowledge of what’s going on. Do they?

Mapping Public Disagreements about Covid-19 Response

However nice it would be to feel unified in our response to COVID-19, there are many ongoing differences in perspective between thoughtful, good-hearted people. Could it help to map out fairly what those disagreements are?

Subscribe To Our Weekly Newsletter

Stay up to date on the intersection of faith in the public square.

You have Successfully Subscribed!

Pin It on Pinterest

Share This