books

Bites of the Best Books: October 2020

Five books that contain sentences and paragraphs and pages full of unique ideas that move our minds, touch our hearts, and fill our souls with light.
Each month PS writer Sammy Hislop recommends five books to our readers, in the spirit of D&C 88:188 “seek ye out of the best books words of wisdom.” We hope you’ll find these as inspiring as we have.

Apeirogon

Column McCann

You will not find the word “apeirogon” in the dictionary. In this novel (based on real events), we learn that it is a shape with an infinite number of sides—and thus a fitting symbol for a complicated story about two men (an Israeli and a Palestinian) who lost daughters in crushingly tragic ways.  Rami’s 13-year-old daughter Smadar is a victim of a suicide bomber. Bassam’s 10-year-old daughter Abir is killed by a rubber bullet. Since learning of each other’s stories, they use their shared grief “as a weapon for peace.”

“I refuse to be a victim,” Bassam says in an interview transcript halfway through the book. “I decided that a long time ago. There is one living victim and that is the man who killed my daughter. He was a teenager when he shot her. He had no idea why he killed her. He wasn’t some hero, some champion. Who shoots a girl in the back? I saw him in court. I said to him, ‘You are the victim, not me. You had no idea why you killed her, you were following orders, you did it without conscience. I want to wish you a long life because I hope your conscience will wake you up.’ … The hero makes a friend of his enemy. … I don’t have time for hate anymore. We need to learn how to use our pain. Invest in our peace, not in our blood, that’s what we say.”

The Gospel in a Pluralist Society

Lesslie Newbigin

Lesslie Newbigin (1909–1998) was a British missionary and ecumenical ambassador. This book, penned in 1989, remains a source of deep wisdom about how to engage a world of widely varying belief systems.

“In our contact with people who do not acknowledge Jesus as Lord, our first business, our first privilege, is to seek out and to welcome all the reflections of that one true light in the lives of those we meet,” Newbigin writes. “There is something deeply repulsive in the attitude, sometimes found among Christians, which makes only grudging acknowledgment of the faith, the godliness, and the nobility to be found in the lives of non-Christians. Even more repulsive is the idea that in order to communicate the gospel to them one must, as it were, ferret out their hidden sins, show that their goodness is not so good after all, as a precondition for presenting the offer of grace in Christ.”

Uncommon Ground: Living Faithfully in a World of Difference

Timothy Keller and John Inazu 

This new volume, edited by Timothy Keller and John Inazu, brings together a series of important essays from Christian authors. One, from songwriter Sara Groves, explores the place of the candid questioner within one’s faith community or political party.

“I have to ask myself if I am stifling honest inquiry because I’m afraid to admit a flaw in the groups with which I most closely identify. I must consider whether I’m afraid that to speak honestly to issues within will be disloyal,” she writes. “If a pastor or a politician acts egregiously, there is a flurry of speech to defend and explain it away because of the damage it might do to the church or the party. I remember well how the denomination I grew up in weathered scandals with several notable personalities—I remember the secrecy, the protection, and denial. I also remember the day I realized with relief, I don’t have to defend indefensible things. My identity doesn’t come from these organizations, and while the body of Christ is essential to my faith, I don’t have to protect any particular organization at the expense of transparency and honest inquiry.”

Liberty in the Things of God: The Christian Origins of Religious Freedom

Robert Louis Wilken

The earliest Christian apologists believed that faith, in its essence, is an inward conviction. Force and compulsion are anathema to nurturing the tender seeds of spirituality in one’s soul. In this important book, scholar Robert Louis Wilken walks us through the struggle for religious freedom, from the earliest days of the Christian movement through the 17th century. The following are only a few of the interesting insights Wilken brings to our attention:

“See that you do not end up fostering irreligion by taking away freedom of religion and forbid free choice with respect to divine matters, so that I am not allowed to worship what I wish, but am forced to worship what I do not wish. Not even a human being would like to be honored unwillingly.” —Tertullian, a convert to Christianity in second-century Roman Carthage

“Anyone brought to the font of Baptism, not by the sweetness of preaching but by compulsion, will return to his former superstition and die in a worse state because he had been reborn. My brother, may you stir up such men by frequent preaching so that they may desire to change their life more by the sweetness of their teacher.” —Pope Gregory the Great, who served from 590 to 604  

“Force may make a Hypocrite: ‘tis Faith grounded upon Knowledge and Consent that makes a Christian.” —William Penn, seventeenth-century Englishman and founder of the Pennsylvania Colony

Open Letters

Václav Havel

Can a person silently deal with incompetent supervisors and carry out their ridiculous demands without losing one’s sense of dignity? 

“Even if they never speak of it, people have a very acute appreciation of the price they have paid for outward peace and quiet: the permanent humiliation of their human dignity,” Havel says in a letter to Dr. Gustav Husák of the Czechoslovak Communist Party in 1975. “The less direct resistance they put up to it—comforting themselves by driving it from their mind and deceiving themselves with the thought that it is of no account, or else simply gritting their teeth—the deeper the experience etches itself into their emotional memory. The man who can resist humiliation can quickly forget it; but the man who can long tolerate it must long remember it. In actual fact, then nothing remains forgotten. All the fear one has endured … settles and accumulates somewhere in the bottom of our social consciousness, quietly fermenting.

If left untreated, Havel writes, this “abscess [can] … gradually [deform] into a sick cramp, into a toxic substance not unlike the carbon monoxide produced by incomplete combustion. No wonder, then, that when the crust cracks and the lava of life rolls out, there appear not only well-considered attempts to rectify old wrongs, not only searchings for truth and for reforms matching life’s needs, but also symptoms of bilious hatred, vengeful wrath, and a feverish desire for immediate compensation for all the degradation endured.”

 

About the author

Samuel B. Hislop

Samuel B. Hislop is a writer in Utah.
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I can’t wait to watch Dune: Part Two with my kids. Dune: Part Two is so good it lodges itself (and retroactively lifts its predecessor) into the pantheon of great epic movie trilogies. Depending on whether or not the third and final installment can stick the landing, I suspect it will be spoken of in the same breath as Lord of The Rings, The Dark Knight, and Star Wars.   Like the first two of those trilogies, however, the film is not right for young children. Dune deals with serious themes such as drug use, religion, violence, colonialism, gender, and terrorism. It does so in a way that avoids the overly simplistic explanations appropriate for younger kids, but that is honest and thought-provoking. The film provides easy access to difficult conversations with teens while telling a thrilling story, and adults will leave feeling satisfied and contemplative about some of the film’s broader implications.  The film picks up in the aftermath of the Harkonnen’s capture of Arrakis from House Atreides, and Paul Atreides (Timothée Chalamet) taking a place among the local Freman. For a part two, the film is remarkably well contained with a clear beginning, middle, and end. I wouldn’t recommend coming into this film without watching the first, but if you did, you would certainly enjoy the story on its own merits.  For Latter-day Saints, the film’s most poignant themes revolve around the nature and abuse of power. Among the Fremen, Paul is believed to be the Mahdi, a Messianic figure they expect will return them to control of their lands. Paul is torn between seeking vengeance for the defeat of his family and moving on by integrating into the Fremen society. The faction of Fremen who view Paul as the Mahdi complicates this by holding out the opportunity for the power he needs to seek out revenge. The ethics of how Paul wields that potential power are among the most potent themes of the film, one sure to be further explored in the trilogy’s final installment. The director, Denis Villeneuve, is in top form here. His shots are each expertly crafted art pieces on their own merits. They lend weight to the themes he’s exploring, and he weaves them together like a composer weaving together the themes of a symphony. He even includes an extended black-and-white motif that just works. You don’t even question it.  The script is well paced. It never lags like sometimes happened in the first installment, but also gives plenty of space for its beats to breathe. It’s never confusing, but also doesn’t feel the need to over explain to its audience. Just as in the first film, the sci-fi is absurd—dragonfly-like helicopters, giant worms, and magic yelling. But the imagination here makes them feel completely authentic. You can’t help but buy in. Perhaps the most fun new element—riding the sandworms—is so thoughtfully considered it feels obvious, quite a feet for a film that wants you to buy the reality of riding a worm.    Chalamet leads a stellar cast here that has added Florence Pugh, Christopher Walken, and Austen Butler. Butler in particular inhabits the grotesque Harkonnens in a way that feels both terrifying and authentic. As for the returning cast, Javier Bardem, Rebecca Ferguson, and Stellan Skarsgård are standouts. A lot of weight is put on Zendaya in this film and she is substantially up to the task. Dune: Part Two is a great story wrapped in a world class sensory experience executed by artisans at the top of their craft. It is certainly not a film for kids, but I imagine many parents connecting to their teens over it, and I would heartily endorse it to them. Five out of five stars.

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