Sketch Photo Filter of Man on Phone & Laptop | Child Exploitation on Pornhub is Why Section 230 Needs Change | Public Square Magazine | PornHub Minor | Porn Hub Kids & Small Age

Child exploitation on Pornhub is just another reason Section 230 needs an overhaul

Changes to Section 230 have been much in the news, but this section allows pornography websites to profit off of illegal content. It’s time to reconsider.

How is it possible that videos of child pornography, sex-trafficked persons, rapes, assaults, and other outrageous abuses have been openly available throughout the Internet, right under our noses, on Pornhub? While recent news reports examining Pornhub’s misdeeds were shocking for many, it made clear what the National Center on Sexual Exploitation (NCOSE) has been calling attention to for years: sexual exploitation has moved online. And not only has it moved online, it has exploded and thrived there.  

In response to allegations that its site showed videos of child abuse and nonconsensual sexual abuse, Pornhub removed millions of explicit videos—taking the number of videos on the site down from roughly 13.5 million to 3 million. The website said it would bar unverified uploaders from adding new content and eliminate the ability to download most videos. It has removed all previously uploaded content that was not created by Pornhub’s verified content partners or members of its adult performer network.

But how was this pernicious and destructive platform allowed to come into existence and become the internet giant that it is today in the first place? Look no further than the infamous Section 230 of the Communications Decency Act. We should also blame the unforgivable and complete failure of the US Department of Justice (DOJ) to enforce existing federal laws against internet platforms. 

Back in 1996, Congress passed the Communications Decency Act in an attempt to protect children from being exposed to sexually explicit content online. Ultimately, the Supreme Court struck down the well-intended, but poorly drafted statute as unconstitutional on the grounds of free speech. But the Court allowed one small piece to survive: Section 230. This section was added to the law as a sort of safe harbor provision for internet service providers, granting immunity from civil liability, ostensibly to encourage them to police their platforms in good faith and not be sued in the process. 

Today our education, our news, our economy, and virtually our entire society lives online.

In the end, this laudable attempt by Congress to protect children was flipped on its head. As a result of the Supreme Court’s decision, the internet platforms, rather than the children, were given protection. Subsequent lower court interpretations broadened the immunity even further resulting in a condition of absolute freedom from any sort of meaningful civil accountability.

Much of the protection afforded was done in the name of nurturing a new and burgeoning internet. And the nurturing worked. Today our education, our news, our economy, and virtually our entire society lives online. This has brought with it many benefits, but unlike the physical world, the corporate giants of the Internet have been able to operate with little accountability or oversight.

We are seeing the horrors of this play out in many ways and Pornhub is only one prominent, but terrifying, example.  

There are many things we can do, including demanding that the DOJ do its job. The immunity provided by Section 230 does not extend to federal criminal violations.  We must insist that the DOJ investigate and prosecute Pornhub and any internet platforms that are violating federal criminal law —including laws prohibiting the possession and distribution of child sexual abuse material (CSAM), and failure to report known instances of CSAM on their platforms—right now. The DOJ can also enforce existing federal anti-trafficking laws against Pornhub. The DOJ should do this immediately.  

Now what to do about Section 230? Complete insulation from civil liability means corporations have no incentive to protect people when it is profitable to exploit them. And unfortunately, it is very profitable to sexually exploit people, even children.

Pornhub boasted that in 2019 they had 6.83 million video uploads, about 2.5 hours of content added every minute. This was made possible because Pornhub allowed anyone with an email address to upload videos with no age or consent verification. And even their “verified” user/model program was a joke. They only required someone to send in a picture of themselves holding a sign with their username written on it. But Pornhub’s changes are not enough. Furthermore, Pornhub cannot just apologize and move on, they should be held accountable for the decades of abuse and exploitation they profited from at the expense of hundreds of victims.

If internet platforms hurt people, they should be held accountable in a court of law.

In recent history, we have seen the destruction large corporations can wreak on individuals, communities, and even society when there is big money to be made. Think of toxic chemicals, dangerous products, and the opioid crisis. In each of these instances, corporations were willing to cause horrifying harms even knowing the risks of litigation—as they had no immunity. Under the current Section 230 protection, internet giants are incentivized even more to look the other way. Congress began to address this in 2018, with one small carve-out to Section 230 in FOSTA-SESTA which clarified that there is no civil immunity for sex trafficking violations. We are seeing survivors coming forward to hold online platforms like Craigslist accountable using this statute and we hope it is used to hold Pornhub accountable as well. But this is a narrow carve-out and we need more. Exploitation of all kinds is prevented and mitigated by oversight and accountability. 

We can fix this lack of oversight and accountability. First, the Department of Justice needs to enforce all applicable federal laws against Internet platforms. Second, Congress needs to pass the Earn It Act immediately. This is a very narrow amendment to Section 230 which enhances redress for CSAM victims and provides clarity where there has been confusion in some courts. If internet platforms hurt people, they should be held accountable in a court of law. This can only be possible with a wholesale re-writing of this destructive piece of legislation.  

About the author

Dani Pinter

Dani Pinter is senior legal counsel for the National Center on Sexual Exploitation, the leading national non-partisan organization exposing the links between all forms of sexual exploitation.
On Key

You Might Also Like

“Madame Web” is a Good Film for Young Teens

Sony’s series of Spider-man adjacent films have mostly focused on anti-heroes. Since Spider-man, the hero, is by corporate necessity absent from these films they need to turn less than heroic characters into the protagonist.  This doesn’t make those films bad, but it does make them more complicated, and not often the best fit for the teenaged kids that could otherwise most benefit from the superhero narrative of good vs. evil. In that respect, Madame Web is a welcome reprieve. This is an unabashed superhero origin story. And in many respects, it demonstrates the durability of the genre.  Madame Webb owes much of its success to the animated Spider-verse films. Those films introduced audiences widely to the idea of multiple spider people, and in a recurring motif from the first film the basic beats that define those various spider people, and the near infinite variations those beats can take. Madame Webb hits each of those beats while toying with the formula enough to keep it interesting.  The moral at the center of the film focuses on our ability to influence our futures. After a traumatic incident, Cassie discovers that she has precognition. At first she feels helpless to stop the future predicted in the visions. But when three innocent girls are about to be murdered by the villainous Ezekiel Sims she can’t stand by and is thrust into the role of protector. As the film reaches its climax, both Cassie and the three teenagers she protects learn to step up. And the film seems best suited to teens about their age and a little younger thirteen to sixteen. Dakota Johnson has the acting chops to anchor the film. She ably handles the expositional relationship building, the determined character develop, and the thriller action scenes. Sydney Sweeney, Isabel Merced, and Celeste O’Connor, who play the three teenagers each portray a character who will one day become Spider-woman in the comics. They never try to do too much, and always deliver when the film requires it. Adam Scott is also a standout as “Ben Parker” who spends much of the film excited to become an uncle.  The villain, Sims is far and away the film’s weak point. His motivation is confusing. And it appeared at several points as though his dialogue was dubbed. But his simplicity as a villain helped along the film’s theme. There was little question about what the right thing for our protagonists to do was, only whether or not they would do it.  The film utilizes its range of PG-13 profanity, and the violence is just enough that I probably wouldn’t want my own kids to see the movie until they were teens. In terms of messages about family the film really shines. The film begins with a flashback to Cassie Webb’s mother nine months pregnant and upset about how her child is getting in the way of her work. But much of Cassie’s growth as a character comes from dealing with the damage of that attitude, and learning to embrace her own nourishing side. Each of the three girls are dealing with similar struggles. And Cassie learns the full strength of her powers as she also learns the full truth about her roots.  I certainly don’t want to overpromise on the film. It’s effects are clunky, and the plot is predictable. But it’s a movie you can let young teeangers watch without having to worry about explaining too much afterward, and that they will dependably get a good takeaway from. And if the parents happen to catch it too, they  will at least have a fun time. Two and a half out of five stars.  “Madame Web” releases in theaters on February 16th.